They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the tip,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
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star Christopher Plummer received an Oscar for his performance in this moving drama about a widowed father who finds love again after coming out in his 70s.
Prepared with an intoxicating candor for sorrow and humor, from The instant it begins to its heart-rending resolution, “All About My Mother” could be the movie that cemented its director being an international force, and it remains among the list of most influencing things he’s ever made. —CA
It’s hard to imagine any on the ESPN’s “30 for 30” series that define the fashionable sports documentary would have existed without Steve James’ seminal “Hoop Dreams,” a 5-year undertaking in which the filmmaker tracks the experiences of two African-American teens intent on joining the NBA.
Side-eyed for years before the film’s beguiling power began to more fully reveal itself (Kubrick’s swansong proving for being every inch as mysterious and rich with meaning as “The Shining” or “2001: A Space Odyssey”), “Eyes Wide Shut” is usually a clenched sleepwalk through a swirl of overlapping dreamstates.
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Played by Rosario Bléfari, Silvia feels like a ’90s incarnation of aimless twenty-something women like Frances Ha or Julie from “The Worst Human being in the World,” tinged with Rejtman’s usual brand of dry humor. When our heroine learns that another woman shares her name, it prompts an identity crisis of sorts, prompting her to curl her hair, don fake nails, and wear a fur coat to your meeting organized between The 2.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-previous directing with the swagger of the young porn star in possession of the massive
A poor, overlooked movie obsessive who only feels seen from the neo-realism of his country’s nationwide cinema pretends to become his favorite director, a farce that allows Hossain porndig Sabzian to tamil aunty sex videos savor the dignity and importance that Mohsen Makhmalbaf’s films experienced allowed him to taste. When a Tehran journalist uncovers the ruse — the police arresting the harmless impostor while he’s inside the home of your affluent Iranian family where he “wanted to shoot his next film” — Sabzian arouses the interest of the (very) different community auteur who’s fascinated by his story, by its inherently cinematic deception, and by the counter-intuitive chance that it presents: If Abbas Kiarostami staged a documentary around this person’s fraud, he could effectively cast Sabzian because the lead character of the movie that Sabzian experienced always wanted someone to make about his suffering.
And nonetheless it all feels like part of a larger tapestry. Just consider all of the seminal moments: Jim Caviezel’s AWOL soldier seeking refuge with natives on the South Pacific island, Nick Nolte’s Lt. Col. trying to rise up the ranks, butting heads with a noble John Cusack, and sexcom also the company’s attempt to take Hill 210 in among the most involving scenes ever filmed.
Making the most of his background for a documentary filmmaker, Hirokazu Kore-eda distills the endless possibilities of this premise into a series of polite interrogations, his camera watching observantly as more than a half-dozen characters seek to distill themselves into just one perfect moment. The episodes they ultimately choose are wistful and wise, each moving in its personal way.
, Justin breastfeeding Timberlake beautifully cartoon sex negotiates the bumpy terrain from disapproval to acceptance to love.
David Cronenberg adapting a J.G. Ballard novel about people who get turned on by automobile crashes was bound to become provocative. “Crash” transcends the label, grinning in perverse delight as it sticks its fingers into a gaping wound. Something similar happens while in the backseat of a car or truck in this movie, just just one while in the cavalcade of perversions enacted by the film’s cast of pansexual risk-takers.